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Michiel Huisman Fan
A Fansite for Dutch Actor/Musician Michiel Huisman

Welcome to Michiel Huisman Fan, the fansite for Dutch actor Michiel Huisman. Or as one article called him, 'that hot scruffy dude from all your favorite shows'! Whether you're a new fan or have followed his career, we hope to give you the most up-to-date and complete information about Michiel. Enjoy your stay!
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Hopefully everyone has had time to watch at least the first episode of “The Haunting of Hill House“.  The whole series is so amazing!

 

    
 
 

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Horror director Mike Flanagan talks about handling his first TV adaptation and approaching the classic source material as a “remix.”

[This story contains spoilers for the first season of Netflix’s The Haunting of Hill House.]

 

As Mike Flanagan worked on his take on the classic tale The Haunting of Hill House, he felt a specter looking over his shoulder: the ghost of Shirley Jackson. The writer and director responsible for films like Oculus, Hush, Gerald’s Game, and the upcoming adaptation of Stephen King’s Doctor Sleep is a natural horror buff, especially of Jackson’s original work.

“I loved the book since I was a kid,” Flanagan tells The Hollywood Reporter. “I’ve equally loved Robert Wise’s [film] adaptation.” Finding it a fool’s errand to try to reinvent the wheel, when he was approached to do a televised take on the story, he chose to take it in a completely different direction. Gone is the plot of four adults investigating paranormal activities, now substituted by a family of seven helplessly besieged by the titular house and its mysterious allure, even decades after the fact.

Flanagan talks with THR about the methodology behind his adaptation, including the thinking behind his fractured timeline, the “Bent Neck Lady” and the “Red Room,” as well as how the first season was initially supposed to end.

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EW – If you want to get a jump start on your Halloween scares, Netflix is debuting its new horror series The Haunting of Hill House today.

This new take on Shirley Jackson’s classic novel (previously adapted for film in 1963 and 1999) finds a group of estranged adult siblings — played by Elizabeth Reaser, Michiel Huisman, Kate Siegel, Oliver Jackson-Cohen, and Victoria Pedretti — dealing with ghosts that have been haunting them since they lived in the titular house as children. “The house represents the past, and we can’t escape it,” says Reaser. “The house is inside of us all now, in a way.”

The series jumps back and forth in time, with the story being told in present day as well as through flashbacks to the family’s disturbing time at Hill House. (Henry Thomas and Carla Gugino play the parents in the flashbacks.)

Created for TV and directed by Mike Flanagan (Gerald’s Game, Oculus), Hill House operates like a dysfunctional family drama with supernatural scares (think Bloodline meets Poltergeist). EW talked to Flanagan, who’s currently shooting The Shining sequel Doctor Sleep, about crafting his latest ghost story.

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EW – Just like with the Stephen King-based It, Mike Flanagan‘s Netflix horror series needs two casts to tell the freaky story at its core. To be fair, though, King’s novel came out in 1986, 30 years after Flanagan’s source material. So Shirley Jackson’s novel The Haunting of Hill House did it first.

As shown in EW’s exclusive behind-the-scenes video for The Haunting of Hill House, the 10-episode series adaptation introduces the Crains across two different time periods: when the family were first being plagued by malevolent forces inside what is now the most haunted home in rural Massachusetts, and 25 years later to see them reconvene as traumatized adults to finally face their demons.

There are the model parents, the son who grows up to write a book based on their experiences, the level-headed daughter, the child with a sensitivity to ghosts, and the totally troubled twins.

Carla Gugino (Olivia Crain), Henry Thomas (young Hugh Crain), Paxton Singleton (young Steven Crain), Lulu Wilson (young Shirley Crain), McKenna Grace (young Theo Crain), Julian Hilliard (young Luke Crain), and Violet McGraw (young Nell Crain) portray the Crains before they succumbed to parasitic poltergeists.

The adult cast, then, is populated by Timothy Hutton (Hugh Crain), Michael Huisman (Steven Crain), Elizabeth Reaser (Shirley Crain), Kate Siegel (Theo Crain), Oliver Jackson-Cohen (Luke Crain), and Victoria Pedretti (Nell Crain).

“More important than the horror for me was always the human drama,” Flanagan, who created, directed, and executive produced the show, says in the video (above). “If we loved these characters and if we could truly empathize with them on a personal level, we wouldn’t be able to stop ourselves from being afraid for them.

 

 

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That sweet 100% Rotten Tomatoes score promises to get your blood pumping.

WHATCULTURE – Netflix’s latest horror series has got a selection of critics all hot under the collar already, achieving a highly coveted ‘100% Fresh Rotten Tomatoes’ score since September 25th with more reviews still set to roll in. Whilst it’s early days for the new addition to Netflix’s vast bank of originals, there’s plenty working in the TV show’s favour that suggests the favourable attention isn’t simply a media ploy before release.

The streaming giant has been producing a steady flow of excellent television content for the past few years, banking on titles such as Stranger Things, Dark, and Mindhunter for solid creepy content; and that’s to say nothing of the runaway success of shows like Orange is the New Black and their take on Jessica Jones and other Marvel properties. Netflix know what they’re doing when it comes to creating engaging, unique franchises, so it should come as no surprise that The Haunting of Hill House is lining up neatly with their dedicated Originals brand.

What makes The Haunting of Hill House that much more interesting is that is already has a solid source material. Based on Shirley Jackson’s 1959 novel of the same name, the narrative is described by Netflix as: “flashing between past and present, a fractured family confronts haunting memories of their old home and the terrifying events that drove them from it.”

Reimagining Jackson’s classic tale of a paranormal investigation revolving around a haunted house, the TV adaptation seems like it will focus on the energy and tone of the Gothic tale rather than its storyline outright – offering something for fans old and new in the process.

The Haunting Of Hill House has appeared on screen before however, with both a faithful 1963 version and a less appealing 1999 version that then served as the basis for Scary Movie 2. Both were simply titled ‘The Haunting’, so retain an air of separation from this new project, which in the case of the later movie can only be a good thing for most watchers. The fact that the novel has so much potential for recreation, as well as a few attempts already under its belt, is obviously a plus for some impressive writing as well.

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