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Michiel Huisman Fan
A Fansite for Dutch Actor/Musician Michiel Huisman

Welcome to Michiel Huisman Fan, the fansite for Dutch actor Michiel Huisman. Or as one article called him, 'that hot scruffy dude from all your favorite shows'! Whether you're a new fan or have followed his career, we hope to give you the most up-to-date and complete information about Michiel. Enjoy your stay!

Horror director Mike Flanagan talks about handling his first TV adaptation and approaching the classic source material as a “remix.”

[This story contains spoilers for the first season of Netflix’s The Haunting of Hill House.]


As Mike Flanagan worked on his take on the classic tale The Haunting of Hill House, he felt a specter looking over his shoulder: the ghost of Shirley Jackson. The writer and director responsible for films like Oculus, Hush, Gerald’s Game, and the upcoming adaptation of Stephen King’s Doctor Sleep is a natural horror buff, especially of Jackson’s original work.

“I loved the book since I was a kid,” Flanagan tells The Hollywood Reporter. “I’ve equally loved Robert Wise’s [film] adaptation.” Finding it a fool’s errand to try to reinvent the wheel, when he was approached to do a televised take on the story, he chose to take it in a completely different direction. Gone is the plot of four adults investigating paranormal activities, now substituted by a family of seven helplessly besieged by the titular house and its mysterious allure, even decades after the fact.

Flanagan talks with THR about the methodology behind his adaptation, including the thinking behind his fractured timeline, the “Bent Neck Lady” and the “Red Room,” as well as how the first season was initially supposed to end.

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EW – If you want to get a jump start on your Halloween scares, Netflix is debuting its new horror series The Haunting of Hill House today.

This new take on Shirley Jackson’s classic novel (previously adapted for film in 1963 and 1999) finds a group of estranged adult siblings — played by Elizabeth Reaser, Michiel Huisman, Kate Siegel, Oliver Jackson-Cohen, and Victoria Pedretti — dealing with ghosts that have been haunting them since they lived in the titular house as children. “The house represents the past, and we can’t escape it,” says Reaser. “The house is inside of us all now, in a way.”

The series jumps back and forth in time, with the story being told in present day as well as through flashbacks to the family’s disturbing time at Hill House. (Henry Thomas and Carla Gugino play the parents in the flashbacks.)

Created for TV and directed by Mike Flanagan (Gerald’s Game, Oculus), Hill House operates like a dysfunctional family drama with supernatural scares (think Bloodline meets Poltergeist). EW talked to Flanagan, who’s currently shooting The Shining sequel Doctor Sleep, about crafting his latest ghost story.

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EW – Just like with the Stephen King-based It, Mike Flanagan‘s Netflix horror series needs two casts to tell the freaky story at its core. To be fair, though, King’s novel came out in 1986, 30 years after Flanagan’s source material. So Shirley Jackson’s novel The Haunting of Hill House did it first.

As shown in EW’s exclusive behind-the-scenes video for The Haunting of Hill House, the 10-episode series adaptation introduces the Crains across two different time periods: when the family were first being plagued by malevolent forces inside what is now the most haunted home in rural Massachusetts, and 25 years later to see them reconvene as traumatized adults to finally face their demons.

There are the model parents, the son who grows up to write a book based on their experiences, the level-headed daughter, the child with a sensitivity to ghosts, and the totally troubled twins.

Carla Gugino (Olivia Crain), Henry Thomas (young Hugh Crain), Paxton Singleton (young Steven Crain), Lulu Wilson (young Shirley Crain), McKenna Grace (young Theo Crain), Julian Hilliard (young Luke Crain), and Violet McGraw (young Nell Crain) portray the Crains before they succumbed to parasitic poltergeists.

The adult cast, then, is populated by Timothy Hutton (Hugh Crain), Michael Huisman (Steven Crain), Elizabeth Reaser (Shirley Crain), Kate Siegel (Theo Crain), Oliver Jackson-Cohen (Luke Crain), and Victoria Pedretti (Nell Crain).

“More important than the horror for me was always the human drama,” Flanagan, who created, directed, and executive produced the show, says in the video (above). “If we loved these characters and if we could truly empathize with them on a personal level, we wouldn’t be able to stop ourselves from being afraid for them.

POPSUGAR – Did I turn on The Guernsey Literary and Potato Peel Pie Society expecting to swoon a little bit? You betcha. Did I expect my jaw to hit the floor, hard, the minute Michiel Huisman appeared on screen? Well, I’ve seen his butt Game of Thrones, so, also yes. I guess I just wasn’t expecting to fall so hard for him, the rest of the absurdly gorgeous cast, and the film itself. That was shortsighted of me, considering it’s a romantic WWII drama with a surprisingly dark edge, handled masterfully by Four Weddings and a Funeral director Mike Newell.

Based on the bestselling and beloved novel by Mary Ann Shaffer and Annie Barrows, the film follows Juliet Ashton (Lily James), a writer longing to break free from the pen name that earned her heaps of money during war time to carve out her own story. Despite her engagement to a wealthy, handsome American named Mark (Set It Up’s Glen Powell), she forms a life-changing bond through exchanging letters with Huisman’s Guernsey island pig farmer, Dawsey Adams — side note: I don’t know what kind of name “Dawsey” is, either, but let’s not dwell on it. He regales her with delightful stories about a book club he and fellow readers on the island accidentally started while their home was being occupied by Nazi soldiers, so Juliet takes it upon herself to travel there, meet the book club, and hopefully find some literary inspiration. Naturally, she finds a whole lot more.

Now I know what you’re thinking: that story sounds adorable, beautiful, and quaint. And it is! But that’s not what we’re here to discuss. Although The Guernsey Literary and Potato Peel Pie Society has copious amounts of beautiful people — James, Powell, and even Matthew Goode in glasses, because apparently Mike Newell was casting this movie with me specifically in mind — we’re here to discuss Dawsey. The character gives off some serious Mr. Darcy vibes, thanks to all those billowing shirts and initially serious demeanor . . . you know, if Mr. Darcy was a half-starved pig farmer recovering from emotional trauma instead of a ridiculously wealthy British lord.

Now that I’ve had long enough to recover from swooning right off my couch and onto the carpet from watching the movie, I figured I might as well share my passion for him with the world in the form of carefully selected photos and GIFs. You’re welcome in advance. Click the links to go to POPSUGAR.

Warning: Light spoilers for The Guernsey Literary and Potato Peel Pie Society to follow!

There is more to this article but I only posted the part about Cal.


TVLINE | Where is Cal? Is he still in Iceland?

MANSON | He’s doing whatever Khaleesi tells him to do.


TVLINE | On that note, you got a lot of fun characters back this season for flashbacks. Were there actors like Michiel Huisman that you wanted to get back, but couldn’t?

MANSON | Yeah, sure. Anybody who wasn’t there was somebody we couldn’t get back. [Laughs] But listen, you can’t get everybody. Particularly some of the male supporting cast who were love interests to, for instance, Sarah or Helena. At the end of the day, when we were boiling it down with Tatiana [Maslany], it was like, these girls’ story does not need to be supported by a male romantic interest. The tightening and the closing down and the finishing of these women, it’s about a sisterhood, motherhood and family. For instance, after everything they’ve been through, do you think Helena really needs a boyfriend? No, she needs her sisters. What’s more important? I think we focused it quite thoughtfully that way.



GQOn set with Discovery’s star-studded new miniseries.


At the best of times, visiting a film set can feel like Take-Your-Journalist-To-Work Day—a bunch of friendly, overworked Hollywood professionals taking breaks from doing their actual work so they can explain it to a small group of interlopers. But there’s also something genuinely magical about walking onto a certain kind of set: a well-oiled and collaborative machine designed solely to create an illusion. You step off a plane, hop into a van, and emerge in the past—in this particular case, a defunct warehouse in Bucharest, Romania that has been painstakingly reworked to resemble a factory in Milwaukee, Wisconsin, circa the turn of the 19th century. I’m here, for a few days, to take a deep dive into the Discovery miniseries Harley & the Davidsons, a dramatized version of the origin of the Harley-Davidson motorcycle company.


Your first question might be the same as mine: Why did they go all the way to Bucharest when the United States has a perfectly good Wisconsin just waiting to be used? The answer—like pretty much everything else about a film shoot—is both complicated and variable depending on the person you ask. On the surface, Bucharest and Milwaukee could hardly have less in common. The Communist takeover of the Romanian government in 1947—and the subsequent Communist overthrow in 1989—left Bucharest in a cultural and architectural deep-freeze. In the city center, you might pass a casino or a Gucci store and suddenly come across a dilapidated building covered by a massive tarp designed to resemble the facade of a building—a literal wallpapering over a problem until a more permanent solution can be devised.


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ENTREPRENEUR – They’re real. They’re unsafe. And they’re spectacular.


We’re talking about the motorcycles featured on Discovery Channel’s scripted miniseries Harley and the Davidsons, which tells the success story of the birth of an iconic American brand, and then watches that brand race around tracks at dangerously high speeds.


The three-part miniseries follows Bill Harley (played by Robert Aramayo), Walter Davidson (Michiel Huisman) and Arthur Davidson (Bug Hall) as they risk their money and futures on building a motorcycle that will one day become the standard for all others.


On the rev up to the premiere, (Monday, Sept. 5 at 9 p.m.) we spoke with the man charged with bringing these machines back to life on screen, bike fabricator Alex Wheeler. Note that we didn’t say “CGI artist.” These bikes are real. And in real life, things get messy. Here are some of the challenges Wheeler and his team faced and how they solved them.


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RIDE CT – WEST HARTFORD, CT – It was happenstance that the white and teal Harley-Davidson motorcycle ridden by actor Michiel Huisman ended up parked next to a flat black Indian outside of Westfarms mall. Commenting about their adjacency to the “Games of Thrones” star was only natural, though, because of his latest role, and Huisman acknowledged the irony.


Best known for playing “sellsword” Daario Naharis on the HBO fantasy-drama series, Huisman depicts one of the Harley-Davidson’s founders, Walter Davidson, in the upcoming Discovery Channel miniseries “Harley and the Davidsons.” The three-parter not only recounts the motorcycle company’s founding in 1903 and its rise to prominence, but also the intense early rivalry that existed between Harley-Davidson and Indian.

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